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5 Fatal Food Photography Bad Habits To Oust Immediately

<p style&equals;"text-align&colon; justify&semi;">While it may appear on the surface as if food photography is a pretty easy subject and talent to master&comma; the truth is quite to the contrary&period; This should be rather evident in the fact that the post of professional <strong>food photographer<&sol;strong> is one of not only great prestige&comma; but is also a career area that’s desperately in need of new talent&period; After all&comma; there’s a very big difference between arming yourself with a camera to snap a few random pictures and being a genuine artist with food photography – the latter being a wholly different ball game&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Of course&comma; even if you have no real intention of going pro and wouldn’t have the time to fit in the course and classes anyway&comma; there’s nothing to say you cannot make the effort to improve your skills a decent amount&period; What’s interesting about food photography is the way in which the vast majority of those struggling to improve what they do are not being held back by a lack of talent or even poor equipment&period; Instead&comma; they’ve fallen into one of the few bad habits that tend to creep into the equation for pretty much everyone with an interest in food photography somewhere along the lines&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">So if food photography is your thing but you’re finding yourself facing something of a brick-wall progress-wise&comma; here’s a quick look at the five most fatal bad habits of all that will do nothing but hinder your progress&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;">1 – Overcooked Food<&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">First of all&comma; one of the most important cardinal rules when it comes to great food photography is to make sure that the food is never&comma; ever overcooked&period; In fact&comma; one of the key tricks of the trade is to take photographs of food and dishes that are actually very slightly undercooked&period; This of course makes life difficult if you were planning to eat the meal you’re shooting snaps of&comma; but in terms of getting the best shots&comma; undercooked is often the way to go&period; Take any carrot or piece of broccoli&comma; drop it into boiling water and you’ll see how the colour hit their highest levels of vibrancy before full cooking is achieved&period; And the more you cook most ingredients&comma; the less vibrant and appealing they become&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;">2 – Food That’s Too Hot<&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">You might also find that one of the problems you’re facing can be attributed to food that’s too hot&period; There are two issues here and the first is the more obvious of the two – a billowing cloud of steam isn’t necessarily a camera’s best friend&period; Along with this&comma; never forget that the hotter the food on the plate is&comma; the more difficult it can be to handle and get into position&period; Food naturally tends to become softer&comma; limpier and generally less cooperative when it’s red hot&comma; so try giving things a little while to cool down and firm up before taking your shot&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;">3 – Using the Camera’s Flash<&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Above all other rules in the book&comma; there are none that need to be followed with as much strictness as this one – never&comma; ever use your camera’s standard flash when shooting food snaps&period; As much as it may appear as if food is a simple subject to shoot&comma; you’re actually looking at a uniquely complex combination of colours&comma; angles&comma; dimensions and shadows&period; As such&comma; to blast the plate from any one direction with a camera flash is 100&percnt; guaranteed to result in a bum shot&period; By contrast&comma; natural light from multiple angles can work wonders&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;">4 – Not Experimenting with Angles<&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Still on the subject of angles&comma; there are literally infinite angles from which you can experiment with the shots you take&comma; so there’s nothing to gain from sticking to just one&period; Quite often&comma; what appears to be the most obvious &OpenCurlyQuote;front’ of the dish will in no way represent the ideal side from which to nail that killer shot&period; Go around the dish and take a look from all twelve &OpenCurlyQuote;clock’ positions in order to determine where to plan your attack from&period;<&sol;p>&NewLine;<h3 style&equals;"text-align&colon; justify&semi;">5 – Overlooking Assembly<&sol;h3>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Last but not least&comma; to shoot food that hasn’t been meticulously styled is a little like sending a model down a runway with no makeup&period; The simple fact of the matter here is that while it may look appealing enough to eat on the plate&comma; this doesn’t necessarily mean it’s going to picture well&period; Food styling is an art that’s as complicated and important as the actual food photography itself&comma; so it’s important to ask yourself how much time and effort you’ve put into the food styling if your shots just aren’t coming out as they might&period;<&sol;p>&NewLine;

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